SACRAMENTO, CALIFORNIA / LIVE PRODUCTION
The show
on paper.
Stage plot. Input list. The details that get us playing.
Build a plan for the room, save it, and share it with the crew. This starts with a proposed setup; the band and venue confirm the details together.
For this show.
WORKING TEMPLATE / CONFIRM WITH VENUEChanges stay on this page. Export your editable file to keep a copy.
01 STAGE PLOT
The players.
The positions.
Audience view. Stage right is on the left of this drawing.
Numbers identify inputs in the list below. Not to scale.
See the whole layout, or enlarge it and swipe across.
We swap instruments. Keep the patch at the instrument position. Players may move; the input labels stay put.
02 INPUT LIST
Follow
the signal.
Suggested sources. Uncheck unused inputs; edit the actual mic / DI, patch and supplier.
48V is agreed for the connected equipment, channel by channel.
| Ref | Console patch | Source | Mic / DI / connection | Stand | 48V | Supplied by |
|---|
Room / audience microphones, when included, are for the recorder only.
03 TECHNICAL RIDER & ADVANCE
Work out
the details.
Fairly self-contained. PA available.
Complete the details together before the show.
Before this goes to the crew
Confirm the lineup, patch, monitors, equipment supply, access and timing with the venue. This is an editable technical template, not a fixed touring requirement.